An expansive atmospheric ReMix that takes the best parts of "National Park" and reharmonizes them into a larger context! If you thought you've heard all the "National Park" ReMixes out there, you really haven't!

I finally took on arranging two of the hardest songs I've known of, and combining them into a retro, jazzy, electronic, atmospheric ReMix that blew my mind for sure... what about you?

A chill, atmospheric ReMix with a retro vibe that takes a surprising tune, "Vast Ice Mountain Peak", from one of my favorite soundtracks of all time, and places it in a harmonically-striking context as it combines with the song that started it all---that started my OC ReMix journey---"Dialga's Fight to the Finish!".

A dark, mysterious ReMix of "Enmired Herpetology" from the Dungeonmans soundtrack that perfectly transitions between low-energy sections backed up by a ubiquitous sine wave arpeggio, and huge climaxes lined with grimy basses and distorted basses-turned-leads!

A relaxing arrangement of "Artazon & Zapapico" from Pokémon Scarlet/Violet, combined with some motifs from the Pokémon Mystery Dungeon series, leading to an irish/highland-inspired atmospheric ReMix that should evoke nostalgia in some shape or form!

A Jazz Fusion arrangement of Zuzu's theme from Yu-Gi-Oh: Duel Links, featuring the Jaco Bass in the style of Weather Report.

An evolving, innovative electronic ReMix of "Primrose the Dancer", which uses subtle glitch elements and highland/folk instruments to highlight the elegant nature of the original song.

A very fun atmospheric take on Chrono Cross music, featuring some tasteful bell and harp arpeggiation work, as well as some cool reharmonizations, utilizing minor 3rd and perfect 4th chord jumps, right before the key change around the 3:10 mark.

One of my personal favorites, inspired by Stephen Anderson. It has some of my cleanest mixing, with pristine sound design and tasteful glitching.

A ReMix that was part of an album engineered by Andrew Aversa, composer of Tangledeep and Dungeonmans music!

A very fun ReMix in a downtempo, atmospheric style of music from my favorite game series! Uses many sounds from Impact Soundworks' Super Audio Cart!

This one actually took like 2-3 years to make, but it was completely worth it. One of my best dubstep works by far, highly recommend it to any fan of large-and-in-charge music.

I made this in 5 days before I went off to Grad School! Very fun and fulfilling collaboration, and one of my best works in my opinion.

Something I worked on for Brandon Strader back in the day. Really enjoyed making this one, super emotional atmosphere in my opinion, and one of my favorite works.

This is something I wrote in about 2 weeks for a ReMixing competition in 2015. I ended up polishing it up a year later, releasing this as an epic, dubstep-meets-metal arrangement that melds wub-wub with metal chugs like no other!

SuperiorX approached me on adding mixing and mastering to this, and I ended up not only doing some sick FM bass lines (using Zebra2.6's new distortion modules) and some ear candy FX, but also doing a jazz piano solo on this!

I wrote this in about 2 days for the Apex 2016 album. Nothing too out of left field, but I had some great fun writing the guitar part!

Something that Liontamer from OC ReMix just up and asked me to mix. Big Giant Circles writes some super inspiring music IMO, and it was a pleasure to reinterpret the Threes theme!

By far one of my best ReMix compositions of all time, in my favorite genre, for my favorite game. :D

This is one of my more polished mixes, and possibly my tightest drums! As usual, you can hear the glitchy style I am quite fond of.

At first, I thought this was going to feel too similar to some of my other music. It turned out to be one of my most polished pieces to date, with some smooth dynamics and spot-on bass.

A tropical atmospheric ReMix. No, really. It sounds like you're in a forest, wading in the water.

I think this is probably one of my cleanest mixdowns to date. Kinda glitch hop, with an otherwise atmospheric feel. It was quite a bit of fun layering so many basses together!

A highly-ambitious cinematic take on an obscure Castlevania theme, with a ridiculous orchestral dubstep climax!

A huge orchestral/cinematic ReMix! This took me about a year to write, and is probably one of my most ambitious arrangements and mixdowns.

This is likely my magnum opus. It's insane, it's the longest piece I've been a part of, and there is just so much packed into the mix that it's incredible that FL Studio could stand it.

A big, Lindsey-Stirling-inspired Drum & Bass ReMix of Thunder Tornado. I really played around with melodic contours, part writing, and nuanced effects here. This little snippet is my favorite part of the whole track; the bitcrushed sync lead is so fun to listen to, in my opinion. :)

This actually came together pretty quickly for the Dungeonmans Bonus Disc on OCR. I had a bit of a dry spell for a few weeks on this, but eventually I came back and finished it, so it took about 3 separate days overall. I'm really happy with the crispness and tightness of how everything comes together, and I love that first WUB you hear in the preview.

A chill, atmospheric ReMix of a song that was just 10 notes, expanded into about 4 distinct genres within one arrangement.

This is one of those tracks where I just let loose on the sound design to put forth a monstrosity. Fun and surprises around each twist and turn!

This was a soothing, relaxing atmospheric ReMix of Pokemon X music, made for a baby to sleep to.

A jam-packed funky dubstep ReMix of some of my favorite tracks made by my favorite composer! It evolves quickly while cohesively meshing three music-theory-heavy VGM tunes together, emphasizing the bass.

A huge, Drum & Bass ReMix of the final boss battle from PvZ 2, using heavy metal guitars for the true girth that represents the ZomBOSS!

A chilly ReMix for the winter season. With ethereal and dreamy textures, this brings a whole new undiscovered side of my sound palette. This might even be a bit film score-esque, and is my first foray into a slow genre for a ReMix.

I wrote this for the Final Fantasy Crystal Clash remixing competition over at OverClocked ReMix. I had 3.5 days to work on this, and I actually finished 75% of the arrangement on the last possible day. A little jazzy, and a little ambient and cinematic. Fun stuff!

This funky little track has a lot of subconscious sounds hidden amongst the main sounds. See if you can find them in this slurry of groovy, yet grimy textures! With high complexity to the harmonies, even the music theory buffs aren't left out of the fun!

The collaboration between AngelCityOutlaw and I turned out more ambitious than either of us had imagined. This powerhouse of a ReMix doesn't pull any stops, and with change-ups at every corner, this is sure to appeal to your interests!

Dubstep again? HELL YES! This is a ReMix made for the Apex 2014 album on OC ReMix, a huge fighting game tournament. The intent was a high energy, futuristic atmosphere that... well... wins the loudness war. Yeah. That's it.

This nostalgia-inducing medley utilizes lush pads, electric pianos, arps, and a funky electric bass to give dat groove! With countermelodies abound, this is sure to induce nostalgia, even if you haven't even played these games before! :D

I can't even give this a concrete genre, so I had to throw Electronica in there to cover everything. This collab with Chimpazilla was a very complex effort and one of my favorites.

This ReMix was written for the Castlevania: Vampire Variations II album. It incorporates heavy basses, a glitchy soundscape, and an aggressive production scheme that's sure to rock your socks!

This is the first ReMix that I was happy with. Great first collab with Chimpazilla, and a must-groove.

This monstrous beast brings swagger and a rocked-out edge with heavy guitar chugs, scraping granular vocaloid basses, and gruesome textures that will leave you feeling twisted and evil.

Pretty straightforward ReMix of 'Sky Troops' from Shadow the Hedgehog, and was requested by a friend. For some reason this seems to be pretty well-received, but this one won't be submitted to OCR, based on its arrangement development.